Silver City, Nevada - The Resident Artist Program in Silver City is delighted to announce that New Zealand-based painter and printmaker Sophie Scott is the resident artist in Silver City, Nevada this Fall!
The award-winning young artist, who has already had a number of shows in Christchurch and Wellington in New Zealand, will have a pop-up show and public meet and greet on Saturday, October 24th from 1pm-4pm at the Silver City School House at 385 High Street. She'll share her latest works of art, which are based on the topography of communities in Northern Nevada. The free event includes music by Mylo McCormick, hors d'oeuvres made with local organic produce from Community Harvest CSA, and is sponsored by the Silver City Volunteer Library, Healthy Communities Coalition, and the Resident Artist Program.
Sophie, who graduated in 2011 with a BFA in painting from the University of Canterbury in New Zealand, creates art that is concerned with the tension of the urban and rural. She works through a reductive process of stencilling, usually from black and white historic photos.
Of her unusual artwork, she writes, "My work is primarily concerned with the stripping back of an image. Through the stencil process I search for the point where an image forms and dissolves. My work consists of two parts, the painting and the stencil. The stencils are residues of my painting process, which hold traces of the hand on the outskirts of a preconceived structure of voids. The editing process of the stencil reduces the image down to what is essential leaving a confetti of geometrics."
Both an artist and a shepherd: In addition to creating artwork that's acclaimed in both New Zealand and Australia, Sophie works as a shepherd on high country sheep and beef farms in the remarkably beautiful South Island of New Zealand.
Parallels between hometown and the Comstock: She grew up in Kingston, which was a main access way for the gold in the New Zealand gold rush, and is now a sleepy village at the bottom of Lake Wakatipu, never to regain the population of the gold mining days. These parallels between her hometown and similar settlements on the Comstock attracted Sophie to the area and it's unique history.
What is the Resident Artist Program in Silver City? A unique resident artist program has developed in Silver City, a vibrant small community on the Comstock which is located within one of the nation's largest federally designated historic landmarks. Recently designated an "Arts and Cultural Resources Production Center," the town is already home to a surprising number of Nevada's highly productive artists, musicians, photographers, writers, actors, artisans, academics and other innovative thinkers and unique souls. Those creating in the performing, visual, media, design, or literary arts are being invited to reside in town for periods of up to 4 months, in exchange for offering public performances, exhibitions, workshops, art work, etc. in the community.
Contact: The "Resident Artist Program in Silver City" is privately funded and directed by Theo McCormick and Quest Lakes. Artists have been scheduled through Summer 2017, and additional applications are being accepted for later dates. Please contact Quest Lakes at P.O. Box 123, Silver City, Nevada 89428 for additional information.
More about the Resident Artist Program in Silver City can also be found here: https://www.facebook.com/silvercitynevadaresidentartistprogram
“Silver City is a quiet, safe place to live and raise a family, and a town accustomed to standing up for itself. It is a community built on the values of knowing and caring for neighbors and for pitching in when need arises. We care for our kids, for our elders and for all others who can use a hand. Neighbor to neighbor, we stand by our community. Always.”
Thursday, October 15, 2015
Wednesday, October 14, 2015
Notes from Erich Obermayr's 2011 Speech About Silver City, Nevada
Notes from “State of the State of Silver City, Nevada” by Town Advisory Chair Erich Obermayr at the meeting of the regional nonprofit, Healthy Communities Coalition, in August of 2011, at the Silver City Volunteer Library
Good morning; thank you for the invitation.
When Quest invited me, she said I should give something like a “state of the state” talk—for Silver City. Since Quest is from Silver City, and you’re using our building—I guess you’re going to hear about Silver City.
And because you’re all obviously interested in community in a much wider sense I hope I can leave you with something—a picture--to compare your own communities with—or even your own ideas of community.
First of all Silver City is a very special and utterly unique community—we share that quality with Dayton, Silver Springs, Smith Valley, Moundhouse, Stagecoach—I guess you could say we have our uniqueness in common—if that makes any sense.
But there are a few important things to know about Silver City.
We’re a small community; 170 people in the 2000 census, perhaps 200 now; probably 50 households.
We’re in a clearly defined area—you can tell where Silver City begins and ends--marked politically by the town limits and geographically centered on our little stretch of Canyon, spreading out on the nearby hills and ridges.
We have one commercial establishment, and a number of home businesses—but we’re basically residential. Somehow the term “bedroom” community doesn’t quite fit—maybe it’s the car bodies.
But what about the community? People—in my opinion—make a community. And if there is one word which describes the community and people of Silver City, it would be “empowered.” Both in the way we see ourselves, and in the way others see us.
We do have a well earned reputation, and perhaps an influence in the county beyond what you might expect from a hundred or so registered voters. People in Silver City assume they have power over their lives—and they aren’t half bad at making it work for them. They assume that if they have an idea or see a problem—the next step is getting it done. Working together, or with governments, agencies, etc. We assume it’s up to us.
That’s a very different starting point than thinking you have no power—and having to spend time and energy figuring out how to get it—then trying to get something done.
Participation is the most obvious example. We have from Silver City the Chair of the Lyon County Planning Commission; a member of the Lyon County school board; the Parks advisory board, a member of the Comstock Historic District Commission; the Comstock Cemetery Foundation, not to mention the volunteer fire department, town advisory board, and of course Quest Lakes and others with various civic programs.
I have no idea what draws this kind of person to Silver City. But it’s really true. How does Joe McCarthy end up here? Or whether being here turns them into this kind of person. But it’s true—there are some extraordinary people here and consequently an extraordinary community.
Two examples of what this means.
Nevex
1986
In 1986, the town mounted a professional level response to the request [by Nevex Mining] for a change in land-use designation.[In 1986, Nevex Mining proposed master plan and zoning changes in an attempt to pit mine the same location as CMI now plans to pit mine. In 1986, Lyon County Commissioners listened to Silver City residents and denied the Nevex request, taking into account the devastating effects mining in Silver City would have on residents' lives, health, and property values, not to mention the historic landscape.]
The fire [that destroyed the original Silver City School House and the community's response], which it is safe to say simply never would have happened anywhere else in Nevada, probably not the country. ["In 2007, Silver City residents were rewarded for their hard work on an archaeological dig at the schoolhouse site with a historic preservation award. The Nevada Historic Preservation awards in 2007 included Silver City resident Ron Reno, PhD, and the town of Silver City, for the dedicated retrieval of thousands of artifacts associated with the remains of the historic schoolhouse."] http://www.archaeologysouthwest.org/2007/04/27/southwest-archaeology-today-for-april-27-2007/
Salvage
Archaeology
Architecture, design
Lobbying—the Board of Commissioners, Bob Mills, did the right thing.
An important point. Even the strongest community does not exist in a political vacuum. Each of these community efforts only succeeded because they persuaded public officials to do act in our interest.
I’ve just scratched the surface of their accomplishments.
And so here we are, happily ever after in Silver City—all empowered---petting our empowered dogs and cats; sending our empowered kids off to school.
Not so fast. There is a third chapter to this—I’ll call it the empowered community meets the empowered mining company.
The facts about Comstock Mining Inc
The firm controls 6,000 acres between Highway 50 and Virginia City
I’m not here to say whether this is good or bad, time will tell.
I can speak to what it means to Silver City.
Silver City.
Exploratory drilling at the Dayton Consolidated
A planned open pit mine. For which they will need a master plan amendment. They have said this.
And I can safely say the community is opposing this. That’s just a matter of counting heads. Ask about pit mining in Silver City—90% against.
This talk is about community—different views and opinions. And most interesting, the mining company is making a conscious effort to make themselves part of the community; one principal has bought the mill and apparently has ideas of turning it into a museum; and they have hired several people who live in Silver City.
But—the guy on the couch—“I’m family.”
Where do we stand? I hate to just end in the middle of the story but it is the middle of the story. It’s not even the middle, actually. Much more toward the beginning. The guy on the couch tells us he’s family, but how long is he going to stay? Does he take showers? Does he play loud music in the middle of the night? Does he eat a lot? We don’t know.
But we do know—what we have to go forward assuming—is that we will face the third great challenge to Silver City. An open pit mine in Silver City would fundamentally alter the nature of the town and the community. We would become an appendage to an industrial operation, with all its incumbent noise, disturbance, activity, etc.—even its economic and political power. The empowerment which defines our community is at risk.
Let me explain—using just one example. You work at your job to buy a house, put in a yard, a place to have a beer, peace and quiet when you want it. And we have that now---it’s basically a very quiet place. But your power to control your own property—to use it in peace and quiet—would be taken away. The work schedule of the mine would dictate when you could or could not enjoy your own property. On a wider scale, the economic and political priorities of the mine would take precedence over the town. That would strike at the heart of our community.
I don’t know how this is going to end. The mining company is here to stay—we’re here to stay. I don’t even know if there will be a clear cut ending, with a winner and loser. I don’t even know how we get there.
I do know that times like these have always brought out the best in my community, and I don’t plan on being disappointed this time.
So, I hope I’ve left you with some understanding of the state of Silver City—or at least put a picture in your mind so when you hear about us you’ll have an idea of Silver City.
Good morning; thank you for the invitation.
When Quest invited me, she said I should give something like a “state of the state” talk—for Silver City. Since Quest is from Silver City, and you’re using our building—I guess you’re going to hear about Silver City.
And because you’re all obviously interested in community in a much wider sense I hope I can leave you with something—a picture--to compare your own communities with—or even your own ideas of community.
First of all Silver City is a very special and utterly unique community—we share that quality with Dayton, Silver Springs, Smith Valley, Moundhouse, Stagecoach—I guess you could say we have our uniqueness in common—if that makes any sense.
But there are a few important things to know about Silver City.
We’re a small community; 170 people in the 2000 census, perhaps 200 now; probably 50 households.
We’re in a clearly defined area—you can tell where Silver City begins and ends--marked politically by the town limits and geographically centered on our little stretch of Canyon, spreading out on the nearby hills and ridges.
We have one commercial establishment, and a number of home businesses—but we’re basically residential. Somehow the term “bedroom” community doesn’t quite fit—maybe it’s the car bodies.
But what about the community? People—in my opinion—make a community. And if there is one word which describes the community and people of Silver City, it would be “empowered.” Both in the way we see ourselves, and in the way others see us.
We do have a well earned reputation, and perhaps an influence in the county beyond what you might expect from a hundred or so registered voters. People in Silver City assume they have power over their lives—and they aren’t half bad at making it work for them. They assume that if they have an idea or see a problem—the next step is getting it done. Working together, or with governments, agencies, etc. We assume it’s up to us.
That’s a very different starting point than thinking you have no power—and having to spend time and energy figuring out how to get it—then trying to get something done.
Participation is the most obvious example. We have from Silver City the Chair of the Lyon County Planning Commission; a member of the Lyon County school board; the Parks advisory board, a member of the Comstock Historic District Commission; the Comstock Cemetery Foundation, not to mention the volunteer fire department, town advisory board, and of course Quest Lakes and others with various civic programs.
I have no idea what draws this kind of person to Silver City. But it’s really true. How does Joe McCarthy end up here? Or whether being here turns them into this kind of person. But it’s true—there are some extraordinary people here and consequently an extraordinary community.
Two examples of what this means.
Nevex
1986
In 1986, the town mounted a professional level response to the request [by Nevex Mining] for a change in land-use designation.[In 1986, Nevex Mining proposed master plan and zoning changes in an attempt to pit mine the same location as CMI now plans to pit mine. In 1986, Lyon County Commissioners listened to Silver City residents and denied the Nevex request, taking into account the devastating effects mining in Silver City would have on residents' lives, health, and property values, not to mention the historic landscape.]
The fire [that destroyed the original Silver City School House and the community's response], which it is safe to say simply never would have happened anywhere else in Nevada, probably not the country. ["In 2007, Silver City residents were rewarded for their hard work on an archaeological dig at the schoolhouse site with a historic preservation award. The Nevada Historic Preservation awards in 2007 included Silver City resident Ron Reno, PhD, and the town of Silver City, for the dedicated retrieval of thousands of artifacts associated with the remains of the historic schoolhouse."] http://www.archaeologysouthwest.org/2007/04/27/southwest-archaeology-today-for-april-27-2007/
Salvage
Archaeology
Architecture, design
Lobbying—the Board of Commissioners, Bob Mills, did the right thing.
An important point. Even the strongest community does not exist in a political vacuum. Each of these community efforts only succeeded because they persuaded public officials to do act in our interest.
I’ve just scratched the surface of their accomplishments.
And so here we are, happily ever after in Silver City—all empowered---petting our empowered dogs and cats; sending our empowered kids off to school.
Not so fast. There is a third chapter to this—I’ll call it the empowered community meets the empowered mining company.
The facts about Comstock Mining Inc
The firm controls 6,000 acres between Highway 50 and Virginia City
I’m not here to say whether this is good or bad, time will tell.
I can speak to what it means to Silver City.
Silver City.
Exploratory drilling at the Dayton Consolidated
A planned open pit mine. For which they will need a master plan amendment. They have said this.
And I can safely say the community is opposing this. That’s just a matter of counting heads. Ask about pit mining in Silver City—90% against.
This talk is about community—different views and opinions. And most interesting, the mining company is making a conscious effort to make themselves part of the community; one principal has bought the mill and apparently has ideas of turning it into a museum; and they have hired several people who live in Silver City.
But—the guy on the couch—“I’m family.”
Where do we stand? I hate to just end in the middle of the story but it is the middle of the story. It’s not even the middle, actually. Much more toward the beginning. The guy on the couch tells us he’s family, but how long is he going to stay? Does he take showers? Does he play loud music in the middle of the night? Does he eat a lot? We don’t know.
But we do know—what we have to go forward assuming—is that we will face the third great challenge to Silver City. An open pit mine in Silver City would fundamentally alter the nature of the town and the community. We would become an appendage to an industrial operation, with all its incumbent noise, disturbance, activity, etc.—even its economic and political power. The empowerment which defines our community is at risk.
Let me explain—using just one example. You work at your job to buy a house, put in a yard, a place to have a beer, peace and quiet when you want it. And we have that now---it’s basically a very quiet place. But your power to control your own property—to use it in peace and quiet—would be taken away. The work schedule of the mine would dictate when you could or could not enjoy your own property. On a wider scale, the economic and political priorities of the mine would take precedence over the town. That would strike at the heart of our community.
I don’t know how this is going to end. The mining company is here to stay—we’re here to stay. I don’t even know if there will be a clear cut ending, with a winner and loser. I don’t even know how we get there.
I do know that times like these have always brought out the best in my community, and I don’t plan on being disappointed this time.
So, I hope I’ve left you with some understanding of the state of Silver City—or at least put a picture in your mind so when you hear about us you’ll have an idea of Silver City.
Thursday, October 1, 2015
Silver City, Nevada Post Office Hosts Displays on Music, Books, Ironwork & Historic Cemeteries
Silver City, Nevada - The Silver City Post Office, established in 1860, has a new display case with a rotating series of collections that are designed to catch attention.
The September display - a sample of the publications by or about past and present Silver City residents - were provided by the Silver City Volunteer Library. Publications on a broad range of topics by Erich Obermayr, Peter Laufer, Jim McCormick, Karen Wright, David Toll, Henry Park, Shelia Swan, Robert Elston, and others were included.
October Display on Historic Cemeteries of the Comstock: The October display will highlight the Comstock Cemetery Foundation and the historic cemeteries of the Comstock, including Silver City's carefully preserved burial grounds. According to the Comstock Cemetery Foundation website, "In their glory days, the [Comstock] cemeteries were a collection of Victorian parks spilling across the desert landscape in a green patchwork of flowers and shrubbery and neatly painted fences... [Today] the cemeteries are memorials to the laboring classes that toiled behind the machinery of industrialized mining."
November Display of historic found iron objects: This collection of old, handmade iron from early miners is presented by long time Silver City resident Chris Brown, who knows quite a bit about ironwork himself. Chris got his start with welding in Portland. For many years, his primary work was with commercial construction of banks, stores, etc, but he had a sideline in ornamental ironwork, designing and fabricating gates, staircases, windows, etc. His ornamental ironwork can be found both in commercial buildings, and in private residences (for instance a local ornamental metal staircase). His work can also be found in public sites, such as the gates to the historic Silver City cemetery.
December Display Showcases Past and Present Musicians of Silver City: In December and January, the Silver City Arts group will display a collection of album and CD covers and instruments to celebrate the music of present or past Silver City residents. Covers feature musicians Lynne Hughes, Tal Morris, Jake Wise, Daniel Yuhasz, Hammerstone, American Phlats, Darius Javaher, Will and Sheree Rose, Ukalocos, Betty Kaplowitz, Tommy Thomsen,the "Leftovers" youth band, and others.
About Silver City: By 1861, Silver City had at least a dozen stores, 4 hotels, 3 blacksmith shops, 2 butcher shops, and a post office, serving a population of more than 1,000 people. An 1864 mercantile guide for the Comstock region described Silver City as a place where "citizens display a refined taste...by the numerous gardens and other external and substantial improvements that they are constantly making...Silver City is fully represented by societies, organizations and social institutions; which for numbers and unity, would be creditable to the reputation of larger cities." Today, the town of about 200 residents is part of the region's National Historic Landmark and is recognized as an "Arts and Cultural Resources Production Center." The community includes a surprising number of Nevada's highly productive artists, musicians, photographers, writers, actors, artisans, and academics, and its historic buildings and sites and crystal clear views of the Sierras attract visiting plein air painters and photographers from across the nation. With an unusually strong volunteerism ethos, the town boasts a voluteer-run library, an organic community garden, frequent public events at the community center, a busy arts group, a historic preservation group, a resident artist program, a volunteer fire department, and an arts and science summer program that is free to youngsters in the northwestern Nevada region.
See the links below for more information about Silver City:
Silver City Arts
https://www.facebook.com/Silver-City-Arts-618872294885649
Resident Artist Program in Silver City
https://www.facebook.com/silvercitynevadaresidentartistprogram
Nevada 150 Exhibit Showcasing the work of Silver City artists, writers, researchers and artisans
https://www.facebook.com/Nevada-150-Art-Exhibit-of-Historic-Silver-City-Nevada-375973665900542
Silver City Resistance
http://www.sc-resistance.com/Site/Welcome.html
The September display - a sample of the publications by or about past and present Silver City residents - were provided by the Silver City Volunteer Library. Publications on a broad range of topics by Erich Obermayr, Peter Laufer, Jim McCormick, Karen Wright, David Toll, Henry Park, Shelia Swan, Robert Elston, and others were included.
October Display on Historic Cemeteries of the Comstock: The October display will highlight the Comstock Cemetery Foundation and the historic cemeteries of the Comstock, including Silver City's carefully preserved burial grounds. According to the Comstock Cemetery Foundation website, "In their glory days, the [Comstock] cemeteries were a collection of Victorian parks spilling across the desert landscape in a green patchwork of flowers and shrubbery and neatly painted fences... [Today] the cemeteries are memorials to the laboring classes that toiled behind the machinery of industrialized mining."
November Display of historic found iron objects: This collection of old, handmade iron from early miners is presented by long time Silver City resident Chris Brown, who knows quite a bit about ironwork himself. Chris got his start with welding in Portland. For many years, his primary work was with commercial construction of banks, stores, etc, but he had a sideline in ornamental ironwork, designing and fabricating gates, staircases, windows, etc. His ornamental ironwork can be found both in commercial buildings, and in private residences (for instance a local ornamental metal staircase). His work can also be found in public sites, such as the gates to the historic Silver City cemetery.
December Display Showcases Past and Present Musicians of Silver City: In December and January, the Silver City Arts group will display a collection of album and CD covers and instruments to celebrate the music of present or past Silver City residents. Covers feature musicians Lynne Hughes, Tal Morris, Jake Wise, Daniel Yuhasz, Hammerstone, American Phlats, Darius Javaher, Will and Sheree Rose, Ukalocos, Betty Kaplowitz, Tommy Thomsen,the "Leftovers" youth band, and others.
About Silver City: By 1861, Silver City had at least a dozen stores, 4 hotels, 3 blacksmith shops, 2 butcher shops, and a post office, serving a population of more than 1,000 people. An 1864 mercantile guide for the Comstock region described Silver City as a place where "citizens display a refined taste...by the numerous gardens and other external and substantial improvements that they are constantly making...Silver City is fully represented by societies, organizations and social institutions; which for numbers and unity, would be creditable to the reputation of larger cities." Today, the town of about 200 residents is part of the region's National Historic Landmark and is recognized as an "Arts and Cultural Resources Production Center." The community includes a surprising number of Nevada's highly productive artists, musicians, photographers, writers, actors, artisans, and academics, and its historic buildings and sites and crystal clear views of the Sierras attract visiting plein air painters and photographers from across the nation. With an unusually strong volunteerism ethos, the town boasts a voluteer-run library, an organic community garden, frequent public events at the community center, a busy arts group, a historic preservation group, a resident artist program, a volunteer fire department, and an arts and science summer program that is free to youngsters in the northwestern Nevada region.
See the links below for more information about Silver City:
Silver City Arts
https://www.facebook.com/Silver-City-Arts-618872294885649
Resident Artist Program in Silver City
https://www.facebook.com/silvercitynevadaresidentartistprogram
Nevada 150 Exhibit Showcasing the work of Silver City artists, writers, researchers and artisans
https://www.facebook.com/Nevada-150-Art-Exhibit-of-Historic-Silver-City-Nevada-375973665900542
Silver City Resistance
http://www.sc-resistance.com/Site/Welcome.html
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